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Marlis Petersen: Dimensionen – Welt (Dimensions – World)

Written by Solo Musica on . Posted in Recording, Petersen, Solo Musica.

Artists: Marlis Petersen

Stephan Matthias Lademann

Title: Dimensionen – Welt

Catalogue No.: SM 274

Release: 03.11.2017

Description

In the first part “world” of their new “dimensions” trilogy Marlis Petersen and Stephan Matthias Lademann make a journey through 100 years of musical romanticism – an epoch in which natural images of various kinds play a central role as the projection and reflection surface of human feelings and longings. We can hear compositions by Franz Schubert, Clara and Robert Schumann, Johannes Brahms, Richard Wagner, Sigurd von Koch and Hans Sommer, who are concerned with the themes of “heaven and earth”, “man and nature”, “lot and knowledge” and “hope and longing “.

Marlis Petersen is a lyrical soprano, touring worldwide since 2003. Everybody knows her as Alban Berg’s heroine Lulu, which she presented in ten different productions worldwide, most recently at the Bavarian State Opera (just released on DVD) and Metropolitan Opera. The magazine “opernwelt” has already honored her for the third time with the title “Singer of the Year”. In January 2017 she was part of the great Elbphilharmonie-opening with Jörg Widmann’s “Arche” under the direction of Kent Nagano. Marlis Petersen has been dedicated to the genre “Lied” for several years.

Tracklist

Himmel und Erde
1 Himmel und Erde 1:49
2 Cora an die Sonne 2:03
3 An die untergehende Sonne 6:18
4 Herbstabend 3:02
5 Die Mutter Erde 3:48
Mensch und Natur
6 Naturgenuss, D 188 2:43
7 Die Hütte 2:50
8 Die Berge, D 634 2:17
9 Juchhe 2:27
10 Des Sennen Abschied, op. 79 2:10
11 Dämmrung senkte sich von oben 3:52
Los und Erkenntnis
12 Gesang des Lebens 2:21
13 Der Strom, der neben mir verrauschte 1:14
14 Serenade op. 70 (Vier Gesänge) no. 3 1:34
15 Das Los des Menschen 3:19
16 Sehnsucht op. 51 2:18
17 Stehe still 3:34
Hoffnung und Sehnsucht
18 Am See 2:05
19 Mein Stern 2:06
20 Feldeinsamkeit 2:57
21 Mondnacht 3:48
Conclusio
22 Erinnerung 1:51

Mischa Greull – From Beethoven to Present

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Artists: Mischa Greull

Title: From Beethoven to Present

Catalogue No.: SM268

Release: 21.10.2017

Description

Horn sounds from Beethoven to the present

The horn player Mischa Greull is a versatile chamber musician, soloist and teacher. In addition to his worldwide concert activities, Mischa Greull is a professor at the Zurich University of the Arts. He connects with Brahms deeply. During his childhood, the Brahmshaus in Rüschlikon on Lake Zurich was the residence of his grandparents. Beethoven stands for sound transparency, while Schumann’s Opus 70 is dedicated to sound fusion. Jörg Widmann is, in comparision to the three old masters, Greull’s latest discovery.

Seung-Yeun Huh, born in Seoul, Korea, is one of the leading pianists of her country, a trained cultural manager and vice-rector at the Conservatory of Music in Zurich. Numerous concerts as a soloist with renowned conductors and orchestras have led her into numerous international concert halls.

Andreas Janke, the first concertmaster of the Zurich Tonhalle Orchestra, began an active international concert activity early on. Since 2013 he has also been Professor of Violin at the Zurich University of the Arts. Andreas Janke plays a violin by Carlo Bergonzi “Hozier, Andrews” 1733-39.

Tracklist

Sonate für Klavier und Horn, op. 17 15:53
1 Allegro moderato 9:01
2 Poco Adagio, quasi Andante 1:47
3 Rondo, Allegro moderato 5:04
Adagio und Allegro As-Dur, op. 70 für Horn und Klavier 8:50
4 Langsam, mit innigem Ausdruck, Adagio 4:01
5 Rasch und feurig, Allegro con brio 4:48
Air für Horn solo 8:28
6 Air für Horn solo 8:28
Trio Es-Dur, op. 40 für Horn, Violine und Klavier 28:37
7 Andante, poco piu animato 7:35
8 Scherzo, Allegro 7:14
9 Adagio mesto 7:29
10 Finale, Allegro con brio 6:18
Total 62:04

Münchner Symphoniker – Franz Schubert: Symphonien Nr. 4 & 7

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Artists: Münchner Symphoniker

Kevin John Edusei

Title: Franz Schubert: Symphonien Nr. 4 & 7

Catalogue No.: SM273

Release: 20.10.2017

Description

The present release of Symphonies 4 and 7 must be understood both as an evaluation of the joint work over past years with the Münchner Symphoniker, and also as a look ahead at what is yet to come. Which composer would be better suited to such a Janus-like look than Schubert – for whom the open, the unspoken and the hoped-for played such an enormous role compositionally as well as biographically?

The logo of the Munich Symphony Orchestra shows a golden angel on the banks of the river Isar – wing tips point skywards, keeping vigil over the Bavarian capital. As one of the city’s four symphony orchestras, the Munich Symphony is strongly committed to Munich and its musical traditions. “The Sound of Our City” is the orchestra’s motto as well as its mission: With four subscription concert series in all of Munich’s major concert venues, the Munich Symphony is one of the city’s most renowned ensembles, while on its numerous national and international tours it takes the “Sound of Our City” out beyond the city boundary.
Kevin John Edusei is one of today’s most promising young conductors. He is known for his delicate, clear conducting which creates space for new nuances in a wide-rangingrepertoire from baroque to contemporary music.Since the season 2014/2015 he has brought exceptional new visions to the Münchner Symphoniker as their chief conductor and has established a strong relationship with the audience.

www.muenchner-symphoniker.de
www.kevinjohnedusei.com

Tracklist

 Symphonie Nr. 4 c-Moll D 417 “Tragische”
1 Adagio molto – Allegro vivace 8:57
2 Andante 9:07
3 Menuetto. Allegretto vivace 3:05
4 Allegro 10:57
Symphonie Nr. 7 h-moll D 759 “Unvollendete”
5 Allegro moderato 13:48
6 Andante con moto 9:46
7 Scherzo – Trio I – Trio II – Scherzo: Allegro 9:00
8 Allegro moderato 12:19
Total 77:05

Duo Leonore – Brahms Cello-Sonaten

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Artists: Duo Leonore

Title: Brahms Cello-Sonaten

Catalogue No.: SM269

Release: 13.10.2017

Description

Johannes Brahms once stated himself that, besides learning the piano as his main instrument, he was also taught the violin, horn and cello during his early years. In any case, an early “Duo for Pianoforte and Violoncello”, which was later destroyed by the composer but is known to have been performed under the pseudonym “Karl Würth” in a private concert on July 5, 1851, marked the start of Johannes Brahms’s life-long compositional interest in the cello, the second most prominent string instrument after the violin. In addition to the two particularly noteworthy “Sonatas for Pianoforte and Violoncello” on this CD, No. 1 in E minor op. 38 and No. 2 in F major op. 99, which are undoubtedly among the most important contributions to the cello sonata genre of the 19th century, special mention should also be made of the great cello solo in the slow movement of the second Piano Concerto in B flat major op. 83 and the cello solo part in the famous Double Concerto for violin, cello and orchestra in A minor op. 102, which was originally conceived as a concerto for solo cello, and the virtuosic cello solo at the start of the opening movement of the second String Quartet in G major op. 111, which Brahms actually intended to be his last ever composition when he wrote it in 1890.

Maja Weber, cello, and Per Lundberg, piano, have been playing chamber music together for more than twenty years, mostly in piano quartets and quintets. Maja (also a Member of the Stradivari Quartet) plays the Bonamy Dobree-Suggia cello made by Antonio Stradivari in 1717. Per’s activities as a concert pianist and chamber musician form the two main focuses of his artistic profile. As a chamber musician he performs in various ensembles across Europe. He works also with Sara Trobäck Hesselink and Claes Gunnarsson, who are respectively the leader and solo cellist of the Gothenburg Symphony Orchestra.

Tracklist

Sonata   No 1  in e Minor  Op. 38
1 Allegro non troppo 13:51
2 Allegretto quasi Menuetto 5:22
3 Allegro 6:47
Sonata No. 2 in F Major Op. 99
4 Allegro vivace 8:56
5 Adagio affettuoso 6:34
6 Allegro passionato 7:19
7 Allegro molto 4:53
Total 53:51

Sergey Malov – Hommage á Ysaye

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Artists: Sergey Malov

Title: Hommage á Ysaye

Catalogue No.: SM275

Release: 29.09.2017

Description

As one of the greatest violin virtuosos, Eugene Ysaÿe inspired the world. He was also a compassionate chamber musician, great teacher and fascinating conductor. It was after his return to Belgium in July 1923, when, at the age of 65 Ysaÿe wrote his bestknown work: the Six Sonatas for violin solo Op.27, each of them dedicated to a European violinist. Like the Solo sonatas and Partitas of Bach and like the 24 Capricci of Paganini, Ysaÿe’s sonatas demonstrate not only astonishing technical innovations, but are also a powerful poetic expression of his time. On his new CD Sergey Malov combines Ysaÿe’s violin sonatas with works by Bach and those European violinists, to whom these sonatas are dedicated.

http://sergeymalov.com

Tracklist

1 Preludio E-major, BWV 1006 3:29
Sonata No. 1, G minor, “Joseph Szigeti”
2 Grave. Lento assai 4:08
3 Fugato. Molto moderato 3:56
4 Allegretto poco scherzoso, Amabile 3:23
5 Finale con brio. Allegro fermo 2:32
6 Bach Gavotte en rondeau E Major BWV 1006 3:01
Sonate No. 2 A minor, “Jacques Thibaud”
7 Obsession; Prelude. Poco vivace 2:15
8 Malinconia. Poco lento 2:35
9 Danse des Ombres; Sarabande. Lento 3:57
10 Les furies. Allegro furioso 3:15
11 Impressions d’enfance Op. 28 “Ménétrier” 3:28
Sonata No. 3, D minor, “George Enescu”
12 Ballades. Lento molto sostenuto. Allegro in tempo giusto e con bravura 6:29
13 Recitativo and Scherzo-Caprice, Op. 6, à E. Ysaÿe 4:39
Sonata No. 4, E minor, “Fritz Kreisler”
14 Allemande. Lento maestoso 4:28
15 Sarabande. Quasi lento 2:59
16 Finale. Presto ma non troppo 3:00
Cello Sonata Op. 28, Intermezzo
17 Poco allegretto e grazioso (played on a violoncello da spalla) 3:25
Sonata No. 5, G major, “Mathieu Crickboom”
18 L’Aurore. Lento assai 3:40
19 Danse rustique. Allegretto giocoso molto moderato 4:56
20 “Devil’s Trill” Sonata, Cadenza 2:56
Sonata No. 6, E major, “Manuel Quiroga”
21 Allegro giusto non troppo vivo 7:01
Total Running Time 79:36

Julius Berger: Bach – Cage/Choräle (3 CDs & 3 LPs)

Written by Solo Musica on . Posted in Berger, Solo Musica.

Artists: Julius Berger

Title: Bach – Cage/Choräle (3CDs)

Catalogue No.: SM270

Release: 15.09.2017

Supersonic Award 2017

Description

Johann Sebastian Bach’s suites for cello solo are arguably the purest form of music, works that require no explanation or background knowledge. Johann Sebastian Bach made one of his most profound affirmations, a Gradus ad Parnassum, which in six stages sets out an intellectual and technical challenge that is and will probably remain peerless in the history of music for our instrument. My colleague and friend, Prof. Peter Langgartner from the Mozarteum University of Salzburg pointed out to me that the Prelude of the first suite contains Luther’s chorale “VomHimmelhoch, da komm’ ich her” (from Heaven above, from thence I come).I had always presumed so and was grateful for confirmation that the cello suites make allusions to chorales and religious messages. I have therefore found a musical way of opening a spiritual door to the suites and added chorales to Suites 1, 3, and 5 in the mould of sounds from John Cage’s work One 8, chorales that in my opinion are definitely consistent with messages conveyed in the suites. I find that John Cage’s music shares similarities with Bach’s. His music allows for inner reflection, providing a contemplative point of calm. Cage said the purpose of music is “to cleanse the soul and bring it peace, thus making it amenable to divine influences”. My son Immanuel intones the chorales to this special music; each chorale is followed by two Bach suites.

Julius Berger

Tracklist

Track Individual Titel Duration
CD 1
Excerpt from “One 8” for Violoncello solo (1991)/Choral “Vom Himmel hoch, da komm ich her” (Martin Luther, 1535)
1 Choral “Vom Himmel hoch, da komm ich her”* 2:40
Suite No. 1 G major BWV 1007 for Violoncello solo
2 Prélude 2:40
3 Allemande 4:48
4 Courante 2:41
5 Sarabande 3:48
6 Menuet I and II 3:34
7 Gigue 1:54
Suite No. 2 D minor BWV 1008 for Violoncello solo
8 Prélude 4:32
9 Allemande 4:33
10 Courante 1:58
11 Sarabande 5:15
12 Menuet I and II 3:37
13 Gigue 2:29
Total Time CD 1 44:39
CD 2
Excerpt from “One 8” for Violoncello solo (1991)/Choral “Gelobt sei Gott im höchsten Thron”  (Melchior Vulpius, Melodie (1609), Michael Weiße, Text (1531))
1 Choral “Gelobt sei Gott im höchsten Thron”* 1:48
Suite No. 3 C major BWV 1009 for Violoncello solo
2 Prélude 4:31
3 Allemande 4:47
4 Courante 3:47
5 Sarabande 4:56
6 Bourrée I and II 4:58
7 Gigue 3:13
Suite No. 4 E flat major BWV 1010 for Violoncello solo
8 Prélude 5:57
9 Allemande 5:57
10 Courante 3:56
11 Sarabande 4:41
12 Bourrée I and II 5:55
13 Gigue 3:02
Total Time CD 2 57:42
CD 3
Excerpt from “One 8” for Violoncello solo (1991)/Choral “O Haupt voll Blut und Wunden” (Johann Crüger (1598-1662), Melodie, Paul Gerhardt (1607 – 1676), Text)
1 Choral “O Haupt voll Blut und Wunden”* 4:21
Suite No. 5 C minor BWV 1011 for Violoncello solo
2 Prélude 6:13
3 Allemande 5:23
4 Courante 2:29
5 Sarabande 4:43
6 Gavotte I and II 5:40
7 Gigue 2:46
Suite No. 6 D major BWV 1012 for Violoncello solo
8 Prélude 5:29
9 Allemande 7:31
10 Courante 3:47
11 Sarabande 4:47
12 Gavotte I and II 5:18
13 Gigue 4:35
Total Time CD 3 63:14

La Cetra Consort – Italian Rococo at The Hermitage

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Artists: La Cetra Consort, Claire Genewein

Title: Italian Rococo at The Hermitage

Catalogue No.: SM 258

Release: 09.06.2017

Description

In the 18th and 19th centuries, the Hermitage in St Petersburg not only housed famous art collections, which were made accessible to the public after the October Revolution, but also hosted glamorous musical events. Catherine the Great had the Hermitage Theatre built, which still stands to this day, and the operas that were magnificently staged there were central to courtly festivities.

The idea for this CD came in conjunction with Claire Genewein’s elevation to Doctor of Creative and Performing Arts at the University of Leiden in the Netherlands in June 2014. In her thesis, she showed that in 18th century Italy, instrumental music was rehearsed with the aid of textual reflections – a method which, over time, was almost completely lost and which is hardly practised today. This CD documents the tradition of the mutual interaction between vocal and instrumental music and makes this stimulating impetus audible.
La Cetra Consort consists of members of the La Cetra Baroque Orchestra Basel, who cultivate this genre within a smaller and more intimate setting. Claire Genewein works as a flautist in various ensembles such as La Cetra Baroque Orchestra Basel, L’Orfeo, Venice Baroque Orchestra, Il gusto barocco, L’Arcadia, and Ensemble Miroir.

Tracklist

Track Individual Titel Duration
Trio per il Flauto Traverso, Violino e Basso
1 Allegro moderato 6:16
2 Andante 2:12
3 Allegro 3:28
Concerto a quattro No. 1 g-moll
4 Grave e Adagio 2:36
5 Spirituoso 4:01
6 Allegro 3:29
Trio C-Major
7 Allegretto (Le un alma amante in Creso by Sacchini) 2:23
8 Larghetto (So che fedele in Creso by Sacchini) 3:10
9 Rondeau (Tergi il pianto in Creso by Sacchini) 2:03
Quatour No. 1 C-Dur für Streichquartett
10 Allegro 5:52
11 Rondo 4:00
Quartetto in G-Dur für Flöte, Violine, Viola und Cello
12 Allegro spirituoso 4:35
13 Minuetto Trio 1:50
Concerto per il Flauto, D-Majore
14 Ohne Bezeichnung 3:58
15 Adagio. piano sempre 4:56
16 Allegro assai 3:13

Arta Arnicane – Aqua

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Artists: Arta Arnicane

Title: Aqua

Catalogue No.: SM 262

Release: 09.06.2017

Description

Water, in all its myriad of moods. Just imagine…
…the sea, waves reflecting the shimmering silver and gold of the sun’s rays; a babbling brook, its bed bejewelled with iridescent stones; deep water radiating a soft, serene, blue light; raindrops falling from a pallid sky like tears shed by a heart rent with sorrow…
The young Latvian pianist, Arta Arnicane, lends all this to your grand piano. With works by Chopin, Debussy, Grieg, Liszt and Ravel as well as Berio, Ķepītis and Žilinskis and more.
Communication with the audience, as well as talent for creating a special concert atmosphere have taken the young Latvian pianist Arta Arnicane to a large variety of performance venues across the world. Her quality of winning listeners’ full attention, combined with the warmth and intelligence of her programmes and interpretations, allows her to fascinate both small gatherings and large audiences in concert halls such as the Rudolfinum, Prague and the Zurich Tonhalle.

Tracklist

Track Individual Titel Duration
1 Près de la mer (Pie jūras) 5:02
2 Jeux d’eau 5:37
3 By the Stream (Pie strauta) 1:31
4 Barcarole 3:26
5 Une barque sur l’océan from “Miroirs” 8:10
6 Silver Rain was falling – folk song arrangement (Sidrabiņa lietiņš lija) 0:46
7 Au bord d’une source 3:42
8 Waterfall of Pērse (Pērses ūdenskritums) 2:08
9 Song of the Waves (Viļņu dziesma) 3:26
10 Reflets dans l’eau from “Images I” 5:43
11 Poissons d’or from “Images II” 3:52
12 Wasserklavier 2:56
13 Brooklet from “Lyrical Pieces” Op.62 No.4 1:39
14 La cathédrale engloutie 6:18
15 Barcarole (Auf dem Wasser zu Singen) 4:23
16 Raindrop Prelude Op.28 No.15 in D flat major 5:45

Francisco Araiza – Live at the Tivoli – Official Bootleg Recordings

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Artists: Francisco Araiza

Title: Live at the Tivoli – Official Bootleg Recordings – Digital only

Catalogue No.: SM 265

Release: 26.05.2017

Description

“The Official Bootleg Recordings” unites the two legendary Tivoli concerts of the exceptional Tenor, Francisco Araiza, from 1985 and 1987, which were personally recorded in Copenhagen. At the height of his career, Francisco Araiza dared to present the incredible range of his enormous repertoire to the audience in one evening. Here the broad spectrum of the tenor is reflected with an incredible freshness and power. It was his personal concern that these recordings were finally made accessible to his fans. He himself designates these two evenings as his absolutely best performances at this time.In 1983 he became one of the leading representatives of the dramatic Italian, French and German repertoire with roles such as Edgardo, Alfredo, Duke of Mantua, Riccardo III, Don Alvaro, Don Carlo, Rodolfo, Pinkerton, Cavaradossi, Des Grieux, Faust, Hoffmann, Werther, Romeo, Don Jose and especially as a youthful hero in Wagner- and Straussgenre.

Tracklist

Individual Titel Opera Theme Duration Composer
No ho colpa IDOMENEO Arie of Idamante 6:42 W.A. Mozart
Gott, welch’ Dunkel hier! FIDELIO Arie of Florestan 11:37 Ludwig van Beethoven
De’ miei bollenti spiriti…Oh mio rimorso! LA TRAVIATA Arie of Alfredo 3:46 Giuseppe Verdi
De’ miei bollenti spiriti…Oh mio rimorso! LA TRAVIATA Caballetta of Alfredo 1:32 Giuseppe Verdi
Che gelida manina LA BOHEME Arie of Rodolfo 5:06 Giacomo Puccini
Je suis seul Ah fuyez! MANON Arie of Des Grieux 2:56 Jules Massenet
Un dì all’azzurro spazio ANDREA CHENIER Rezitativ and Improvviso 5:56 Umberto Giordano
Pourquoi me reveiller WERTHER Arie of Werther 2:50 Jules Massenet
E la solita storia L’ARLESIANA Lamento di Federico 5:07 Francesco Cilea
Gralserzählung LOHENGRIN 5:54 Richard Wagner
Je crois entendre LES PECHEURS DES PERLES Rezitativ and Arie of Nadir 6:35 Georges Bizet
Fra poco a me ricovero LUCIA DI LAMMERMOOR Rezitativ and Arie of Edgardo I 13:23 Gaetano Donizetti
Ella mi fu rapita RIGOLETTO Arie of Duca 5:56 Giuseppe Verdi
Salut, demeure chaste et pure FAUST Rezitativ and Arie of Faust 6:58 Charles Goundod
Nessun dorma TURANDOT Arie of Kalaf 3:17 Giacomo Puccini
Addio fiorito asil MADAMA BUTTERFLY Arie of Pinkerton 2:09 Giacomo Puccini
La fleur que tu m’avais jetée CARMEN Arie of Don Jose 4:55 Georges Bizet
Donna non vidi mai MANON LESCAUT Arie of Des Grieux 5:23 Giacomo Puccini
Una furtiva lagrima L’ELISIR D’AMORE Arie of Nemorino 5:36 Gaetano Donizetti

Max Müller – Tierisch!

Written by Solo Musica on . Posted in Max Mueller, Solo Musica.

Künstler: Max Müller

Titel: Tierisch!

Katalog Nr: SM 240

Veröffentlichung: 24.03.2017

 Produktbeschreibung

„Ich muss im früheren Leben eine Reblaus g´wesn sein …“, singt jener Mann, dem man auf den ersten Blick nicht zutraut, in diesem Leben jemals auch nur einen einzigen Rausch gehabt zu haben! Bei näherer Betrachtung allerdings, bemerkt man dann schon das Spitzbübische, Lausbubenhafte, das aus seinen strahlend blauen Augen blitzt und signalisiert: ”Ich hab mehr drauf, als du denkst!“ Und das hat er wirklich, dieser Max Müller, bekannt aus der TV-Serie ”Rosenheim Cops” als liebenswerten Polizisten Michi Mohr!

Auf seiner neuen CD „Tierisch!“ begegnet er sozusagen singend und sprechend den eigenen Schwächen und Unvollkommenheiten ”im tierischen Gewand”. Ob bei den messerscharfen Alltagsbeobachtungen von Joachim Ringelnatz, ob im bestialischen Raubtier-Belcanto von Gioacchino Rossini, in den bekannt tierfreundlichen Wienerliedern von Georg Kreisler, oder tief unten im Wasser, wo bei Christian Morgenstern sogar die Fische ihre Lieder singen – überall trifft man lauter gute Bekannte! Schlager der 30er und 40ziger wie „Die süßesten Früchte“, „Wenn ich mit meinem Dackel …“, „So ein Regenwurm hat’s gut“, „In der Bar zum Krokodil“ und „Am Amazonas“ sind ebenso vertreten wie Gedichte von Morgenstern und Busch.

Von Gelsen, die keine Pension zahlen, über Schuberts „Forelle“ bis zu Mozarts „Papageno“ reicht die Palette dieser hinreißend vergnüglichen CD.

Müllers künstlerische Bandbreite entspricht seiner musikalischen Neugier, Vielfalt und Ausdrucksfähigkeit.
„Tierisch!“ ist bereits die dritte CD Veröffentlichung des Künstlers Max Müller beim Label Solo Musica. Erhältlich sind über den Sony Music Vertrieb auch die CDs: „Ewig dein Mozart“ und „Weihnachten!“.

EPK: So ein Regenwurm hat’s gut

Tracklist

1 Die süßesten Früchte 2:28
2 Der Tierfreund an der Arbeit 1:21
3 Wenn ich mit meinem Dackel … 2:19
4 Übergewicht 0:32
5 Heimatlose 0:30
6 Die Schnupftabaksdose 0:40
7 So ein Regenwurm hat’s gut 0:46
8 Das herrlichste Leb’n
ham die Gelsen		 1:23
9 Die Reblaus 3:35
10 Gemartert 1:10
11 Der Vogelfänger bin ich ja 2:11
12 Hier ruht ein lieber Narr 0:54
13 Das Glück is a Vogerl 2:38
14 Was ist der Mensch? 0:56
15 Wie sich doch die reichen Herrn 2:09
16 Signation I Die Krot 1:21
17 In der Bar zum Krokodil 3:43
18 Generationskonflikt 0:56
19 Ohrwurm und Taube 0:34
20 Tauben vergiften 2:19
21 Der Nachtschelm
und das Siebenschwein		 0:45
22 Der Werwolf 1:27
23 Gespräch einer Hausschnecke mit sich selbst 0:44
24 Signation I Die Schneckn 1:20
25 Großus Bärus 0:55
26 Ein kleiner Bär mit großen Ohren 2:39
27 Seit Wochen suchen wir ein Haus 0:55
28 Die Forelle 2:12
29 Fisches Nachtgesang 0:48
30 Ich möcht‘ so gerne wissen, ob sich die Fische küssen 2:43
31 Sie stritten sich beim Wein herum 0:22
32 Am Amazonas 2:20
33 Die Wühlmaus 0:58
34 Duetto buffo di due gatti 3:21
35 Oh du alter Kakadu I Mein Papagei frisst keine harten Eier 1:51
36 Liebhaber in allen Gestalten 1:40