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Philippe Entremont plays Beethoven

Artist: Philippe Entremont

Title: Philippe Entremont plays Beethoven

Catalogue No.: SM 311

Release: 29.03.2019

Description

In a world sometimes tired of contemplating its own treasures, a plethora of discography with immediate and commonplace access can make the release of a new recording dedicated to some of Beethoven’s 32 sonatas surprising. More particularly, the choice made by an artist such as Philippe Entremont, after 70 years of a phenomenal career, to focus on one of the Viennese Master’s most recorded parts, reflects the complexity and intensity governing the relationship between the performer and the work, the relationship between his instrument and the orchestral aspects of the writing. This year, the exceptional artist celebrates two anniversaries. 70 years on the international stage and his 85th birthday.

The few sonatas on this CD, milestones in Beethoven’s oeuvre, are just a short list for the audience. For the very choice of the works testifies to a passionate commitment, a gourmet and jubilant approach to do justice, with style and elegance, to a long journey initiated in 1957, during a recording made at Pathé, nowhere to be found.

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Estelle Revaz – Fugato

Artist: Estelle Revaz & François Killian

Title: Fugato

Catalogue No.: SM 307

Release: 22.03.2019

Description

Just like Johann Sebastian Bach before him, Ludwig van Beethoven played a significant role in the development of the cello. His six sonatas for cello and piano, three cycles of variations and the Triple Concerto all enhanced the instrument’s expressive scope to an extent that has not been bettered to date. With his unparalleled ability to endow the instrument with highly lyrical and elegantly cantabile qualities, he blazed the trail for composers who would follow him. So in what way and to what extent did Beethoven’s last sonata, the through-composed and visionary op. 102, no. 2, influence Johannes Brahms and Richard Strauss, two composers with such very different and idiosyncratic styles?
The present album takes listeners on a journey through the German Romantic repertoire encompassing the power of tradition, the effect of original ideas and the ramifications of the innovative. In his last Sonata for cello and piano, Beethoven breaks with the traditions of the genre, as if he wanted to appeal to future generations. When this met with incomprehension in his contemporaries, he simply responded: “You will come to understand.”
Estelle Revaz’s special passion is chamber music, and she regularly performs in numerous European countries, in Asia and South America. François Killian has won prizes at many of the most famous international music competitions, including the Chopin Competition in Warsaw, the Artur Rubinstein Competition in Tel Aviv, and the Piano Masters of Monte Carlo. In 1981 François Killian won the ARD Music Competition in Munich.

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Casal Quartett – Paul Müller-Zürich

Artist: Casal Quartett & Razvan Popovici

Title: Paul Müller-Zürich

Catalogue No.: SM 287

Release: 22.03.2019

Description

“For me, tradition does not mean persistence, but transformation and growth. It might seem that a composer who still pays homage to tonality remains in such tradition-boundness out of comfort. It turns out, however, that the pursuit of tonal order constantly challenges him with new questions and decisions for which there are no recipes. ”
With his commitment to tonality, Müller-Zürich seemed to justify itself at a time when the avant-garde after the Second World War vilified all sound and harmony. In fact, however, his works are neither epigonal nor even retrogressive, but have their very own tone, which, a quarter of a century after his death, must be rediscovered. His large-scale string works (quintet with 2 violas 1919 & quartet 1921) are lush, colorful sound paintings full of passion and sophistication that can compete with Reger, Mahler and young Strauss. The later string trio from 1950 shines as a virtuoso, neoclassical bravura piece. With these three first recordings on CD, casalQuartett and Razvan Popovici set a magnificent sounding monument to the great Swiss.

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Wiener Symphoniker – Beethoven: Symphonies 6 & 8

Artist: Wiener Symphoniker

Title: Beethoven: Symphonies 6 & 8

Catalogue No.: WS 016

Release: 15.02.2019

Description

In February 2019, the penultimate part of the Wiener Symphoniker’s first recorded Beethoven cycle will appear with Symphonies No. 6 and 8.

This CD is the continuation of the orchestra’s Road to Beethoven project, an undertaking in preparation of the 250th anniversary of the birth of the Viennese by choice and patriarch of classical music in 2020. Following the huge success of the respective releases of the cycle so far, the expectations are high indeed. The third part featuring Symphonies No. 2 and 7 received numerous accolades and ranked high in the annual best lists of international critics. The German classical music magazine Concerti, for instance, praised: “There, Philippe Jordan with the Wiener Symphoniker succeeded in creating something amazing: The symbiosis of the fine Viennese sound and the directness and transparency of historical performance practice, dynamically flexible and driven by emphasis.” The Wiener Symphoniker wrote music history with the premieres of works by Bruckner, Ravel and Schönberg. Under the direction of such illustrious conductors as Wilhelm Furtwängler, Herbert von Karajan, Carlo Maria Giulini or Georges Prêtre, it gained worldwide fame for its Viennese sound style. In light of this more than hundred-year magnificent history, it is all the more astonishing that the Orchestra has never so far recorded Beethoven’s nine symphonies, which are often described as the peak of the symphonic repertoire.

This gap in the Orchestra’s discography has been in the process of being closed since autumn 2017: The Orchestra is releasing all nine symphonies of the great Viennese by choice at half-yearly intervals on a total of five CDs. The whole cycle will then be available on the 250th anniversary of Beethoven’s birth in 2020. They were recorded live under the direction of Music Director Philippe Jordan in the Golden Hall of the Musikverein.

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The Voyager – Melodies for voice and piano by Albena Petrovic

Artist: Véronique and Romain Nosbaum

Title: The Voyager – Melodies for voice and piano by Albena Petrovic

Catalogue No.: SM 305

Release: 15.02.2019

Description

Albena Petrovic Vratchanska is a Luxembourgish composer of Bulgarian origin and a Knight of The Order of Merit of the Grand Duchy of Luxembourg – L’Ordre de Mérite du Grand-Duchéde Luxembourg ( 2013). She is honored also with the Médaille de Mérite en Argent de l’Union Grand Duc Adolphe (2017), Médaille en Argent de l’Union Saint Pie X (2018) and the «Cultural Award 2007» from the municipality of Hesperange. Many of her compositions are performed also outside Luxembourg – in Germany, Italy, France, Belgium, Bulgaria, Poland, Greece, USA, Singapore, Russia, Spain, Andorra, Brazil, Slovakia, Slovenia, Czech Republic, Kosovo, Switzerland, Denmark, Serbia, Austria, Australia, Portugal, Croatia. Albena Petrovic is President/Founder of the International Composition Competition “Artistes en Herbe” (“Budding Artists”) under the auspices of the Ministry of Culture of Luxembourg.

Véronique Nosbaum is a very special personality in Luxembourg vocal scenery. She is one of those naturally involved in many kinds of art creation – contemporary art, theatre, literature, music. Romain Nosbaum is an individualist among the pianists of his generation. Without airs and graces, but with modesty and passionate devotion, he is solely focused on music. Both the grand gesture and sheer brilliancy are not his main focus – instead, his playing stands out through intelligence, subtle individuality and technical perfection.

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Giovanni Legrenzi – La Morte del cor penitente

Artist: Giovanni Legrenzi

Title: La Morte del cor penitente

Catalogue No.: CDX-71802 (Divox)

Release: 15.02.2019

Description

In 1996, the complete recording of the oratorio La morte del cor penitente (The Death of the Penitent Heart), composed around 1671, by the Northern Italian Early-Music ensemble Sonatori de la Gioiosa Marca was a special event: for the first time, the Italian composer Giovanni Legrenzi (1626-1690) – an important creator of sacred and chamber music – was introduced with a voluminous work. At the same time, the recording, which went on to win several awards, also marked the beginning of the career of the Sonatori around Andrea Marcon, now long famous. Legrenzi was a master of baroque musical rhetoric: expressive harmonies and melodic elegance transformed the libretto by an unknown author, which illustrates its theme with numerous metaphors, into a sensuous pleasure. The little-known masterwork is interpreted sensitively, movingly and mellifluously by soloists with expressive voices (including Roberta Invernizzi, Elisabetta de Mircovich, Mario Cecchetti and Marco Beasley) and the Sonatori, also performing as a collective of soloists. This DIVOX reference recording is reissued at a time in which the outstanding importance of the heart is also recognized by science (www.heartmath.com).

The group Sonatori de la gioiosa Marca (Musicians of the joyous ‘Marca‘) was founded in 1983 in Treviso (Marca Gioiosa et Amorosa). It is considered one of the most select Italian ensembles in the field of performing music from the Baroque period. Its soloist members perfected their talents with leading performers of ancient music at Basel’s Schola Cantorum, London’s Royal College of Music, and Geneva’s Centre de Musique Ancienne. Their repertoire spans from Gabrieli to Mozart, with special emphasis on the great Venetian tradition of the 17th and 18th centuries. – The recordings with Vivaldi’s Violin Concertos (Solo violin: Giuliano Carmignola) on the Label DIVOX ANTIQUA (CDX 79404 and 79406) were incredibly successful and earned many international Awards, i.e. “Diapason d’Or de l’année 95/96”.

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Elmira Darvarova & Zhen Chen – Brahms: The complete Sonatas for Violin & Piano

Artists: Elmira Darvarova & Zhen Chen

Title: Brahms: The complete Sonatas for Violin & Piano

Catalogue No.: SM 295

Release: 25.01.2019

Description

Brahms’s complete sonatas for piano and violin (Op. 78, 100, 108 and Scherzo from the F.A.E Sonata) are the monumental works that inspire and intrigue chamber musicians as well as classical music audiophiles. With a fresh view of these important pieces, this recording puts the composer first, allowing the protagonist to meet the composer’s requirements for the scores. With differentiated phrasing and tempi, Darvarova & Chen rediscover Brahms’ violin sonatas in a completely different and new way.

GRAMMY®-nominated, award-winning (Gold Medal at the Global Music Awards in 2017 and 2018) and a concert violinist since the age of four, Elmira Darvarova caused a sensation, becoming the first ever (and so far only) woman-concertmaster in the history of the Metropolitan Opera in New York. As MET concertmaster, she has performed with the greatest conductors of our time, including the legendary Carlos Kleiber. Hailed as “brilliant” by Fanfare Magazine, multi-award winning pianist-composer Zhen Chen has performed as a soloist and chamber music artist at prominent music venues in USA and China, such as Stern Auditorium, Weill Recital Hall of Carnegie Hall, David Geffen Hall of Lincoln Center, and China National Centre for Performing Arts.

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Mikhail Pochekin – Bach

Artist: Mikhail Pochekin

Title:  Bach Sonatas & Partitas (2 CDs)

Catalogue No.: SM 298

Release: 18.01.2019

Description

Mikhail Pochekin is one of the most captivating violinists of his generation. He appears with many renowned orchestras including the Mariinsky Theater Symphony, the Russian National Orchestra, the Basel Symphony Orchestra, the Moscow Philharmonic, the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, the Tatarstan National Symphony Orchestra or the Lithuanian National Orchestra and worked together with conductors such as Heinz Holliger, Vassily Sinaisky, Yuri Simonov, Kevin Griffiths, Valentin Uryupin, Stanislav Kochanovsky, Dimitris Botinis, Mei-Ann Chen or Alexander Sladkovsky.
“Pure and penetrating” was the violin playing of Johann Sebastian Bach according to the tradition of his son Carl Philipp Emanuel: “He fully understood the possibilities of all violin instruments. This is testified by his soli for violin and cello without bass. One of the greatest violinists once told me that he had seen nothing more perfect to become a good violinist and he could advise nothing better than the violin soli without bass mentioned above.” When Carl Philipp Emanuel addressed these words in a letter to the musicologist and early Bach biographer Johann Nikolaus Forkel in 1774, Bach’s Sonatas and Partitas for Solo Violin were known to a still manageable, albeit growing circle of enthusiasts.

 

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Gong / Popova – Spectrum

Artist: Lini Gong / Mariana Popova

Title: Spectrum

Catalogue No.: SM 300

Release: 30.11.2018

Description

For some years now, Hamburg has been reinventing itself as a city of music. The recently opened Elbphilharmonie – the spectacular concert house on the river Elbe – is one of the factors in this development. As is the KomponistenQuartier (composersʼ quarter) in the Neustadt district between Rödingsmarkt and St. Pauli, with no fewer than half a dozen small museums dedicated to composers such as Fanny and Felix Mendelssohn, Johannes Brahms and Gustav Mahler. All of these composers feature on this present Hamburg album, as well as a number of composers, male and female, who all wrote noteworthy miniatures for voice and piano.

Mariana Popova was responsible for bringing together these 28 compositions and merging them into a dramatic entity – compositions that together result in a very personal, stylistically multi-facetted Hamburg album (including many worldwide first performances). This is a Hamburg album by two women who have chosen Hamburg as their home: Chinese-born Lini Gong and Bulgarian-born Mariana Popova both feel a close bond with the musical life and musical history of Hamburg. As the duo explain: “We consciously bring together musical languages from three centuries and play about with contrasts and with tone colours, in fact with the entire rich spectrum of the art song genre – a genre that we love very much.”

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Richter / Bättig – At the Peak

Artists: Immanuel Richter & Hans Jürg Bättig

Title: At the Peak

Catalogue No.: SM 302

Release: 23.11.2018

Description

Trumpet and organ has us immediately thinking of trumpet tunes and trumpet voluntaries, of majestic, bombastic music by Henry Purcell and George Frideric Handel, of mixtures and reed stops that resound so strongly as to make church walls tremble. The music on this CD does not adhere to those stereotypes: it is very delicate, light, transparent, elegant. If one was to pigeon-hole it, the choice of genre would be difficult. From a musical point of view, it is located between the Baroque and the Classical eras, a period whose various art forms are given numerous labels: early Classical, sensitive style, Rococo, Sturm und Drang. In addition to numerous performances as a soloist and chamber musician, Immanuel Richter is also principal trumpet player of the Sinfonieorchester Basel. Together with Hans Jürg Bättig on the organ, the trumpeter has slowly approached the works of this CD, often playing them in concerts in order to become completely familiar with the music. There is no instrument in his eyes that fits the trumpet better than the organ. The timbres merge into each other and complement each other wonderfully.

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