Fabian Müller (*1964) is one of the leading Swiss composers of his generation. His works were premiered by great musicians of our time such as David Zinman, Andris Nelsons, Sir Roger Norrington, Andrey Boreyko, Christopher Hogwood, Steven Isserlis, Dame Evelyn Glennie, Antonio Meneses and Henning Kraggerud, and were heard in the prestigious halls of the world including the Carnegie Hall in New York, the Tonhalle Zurich, the KKL Luzern, St. Petersburg Philharmonic and the Teatro Colón. He got commissions from the Lucerne Festival, the Interlaken Music Festival, Cully Classique or the Vestfold Festspillene in Norway, and his works were performed at the Festival La Chaise Dieux in France, the Aspen Music Festival in Colorado or at the Festival Internacional de Ushuaia in Argentina. Various Portrait CD with the Philharmonia Orchestra London, the Royal Philharmonic Orchestra, the Zurich Chamber Orchestra and the Petersen Quartet Berlin were published.
Fabian Müllers music is created wholly out of an intuitive freedom. His starting point is rarely a concept developed by the intellect for the music to follow. His works thus encompass modernistic and traditional elements. He feels no duty to any particular school or dogma, seeing his composing as a voyage of discovery undertaken by an independent spirit, combining a playful treatment of traditional methods with the unexpected and unforeseen. But Müllers concern is not to conjure up the past in a nostalgic manner; he simply does not wish to see the development of Western music as a one-dimensional continuum from epoch to epoch, with certain stylistic elements now permitted, now not. He rather sees it as a means of treating the totality of possible sounds in a manner that is timeless new.