{"id":6972,"date":"2020-07-03T00:10:53","date_gmt":"2020-07-02T22:10:53","guid":{"rendered":"http:\/\/wp.gibson-digital.de\/joomla\/?p=6972"},"modified":"2021-12-02T15:40:15","modified_gmt":"2021-12-02T14:40:15","slug":"muenchner-symphoniker-edusei-schubert","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/muenchner-symphoniker-edusei-schubert\/","title":{"rendered":"M\u00fcnchner Symphoniker & Kevin John Edusei – Schubert"},"content":{"rendered":"

\"\"Artists: M\u00fcnchner Symphoniker<\/a> & Kevin John Edusei<\/a><\/h2>\n

Title: Franz Schubert – Symphonie Nr. 3 & 7<\/h2>\n

Catalogue No.: SM 339<\/h2>\n

Release: 03.07.2020<\/h2>\n

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Description<\/h2>\n

The motto of this CD release of Schubert\u2019s Symphonies Nos. 3 & 7 in E-major might be \u201cOn to new horizons!\u201d In general, this phrase has positive connotations, and it offers an apt description for the sparkling innovative force driving forward Symphony No. 3 in D-major. Here, Schubert is still in a state of experimentation characterized by youthful energy, having overcome the teething troubles which plagued the previous Symphonies Nos. 1 and 2. Does the phrase, however, also apply to the completion of the score fragment of Symphony No. 7 in E-major? One has to admit that the answer is: yes and no. On the one hand, the slow introduction of the Seventh in E-major sounds like something perfectly new (and something newly perfect), on the other, there may have been reasons why Schubert, who impatiently began composing straight into the sketched-out score, left the symphony a mere skeleton. Even in a version completed by another hand, this work is worth exploring, as it builds a bridge from the carefree Symphony No. 6 to Schubert\u2019s late works, the <\/span>Unfinished Symphony <\/span><\/i>and the <\/span>Great Symphony<\/span><\/i> in C-major. Two departures for new horizons \u2013 and they are two different horizons \u2013 are what we seek to document with this recording.<\/span><\/p>\n<\/div>\n

Backcover & Playlist<\/h2>\n

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