{"id":660,"date":"2017-09-16T23:34:30","date_gmt":"2017-09-16T21:34:30","guid":{"rendered":"https:\/\/solo-musica.de\/?p=660"},"modified":"2017-09-16T23:34:30","modified_gmt":"2017-09-16T21:34:30","slug":"berger-bach-cage","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/berger-bach-cage\/","title":{"rendered":"Julius Berger: Bach – Cage\/Chor\u00e4le (3 CDs & 3 LPs)"},"content":{"rendered":"
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Artists: Julius Berger<\/a><\/h2>\n<\/div>\n
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Title: Bach – Cage\/Chor\u00e4le (3CDs)<\/h2>\n<\/div>\n
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Catalogue No.: SM270<\/h2>\n<\/div>\n
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Release: 15.09.2017<\/h2>\n<\/div>\n<\/div>\n
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\"\"<\/a><\/p>\n

Supersonic Award 2017<\/h3>\n
<\/div>\n

Description<\/h3>\n

Johann Sebastian Bach\u2019s suites for cello solo are arguably the purest form of music, works that require no explanation or background knowledge. Johann Sebastian Bach made one of his most profound affirmations, a Gradus ad Parnassum<\/em>, which in six stages sets out an intellectual and technical challenge that is and will probably remain peerless in the history of music for our instrument. My colleague and friend, Prof. Peter Langgartner from the Mozarteum\u00a0University of Salzburg pointed out to me that the Prelude of the first suite contains Luther\u2019s chorale \u201cVomHimmelhoch, da komm\u2019 ich her\u201d (from Heaven above, from thence I come).I had always presumed so and was grateful for confirmation that the cello suites make allusions to chorales and religious messages. I have therefore found a musical way of opening a spiritual door to the suites and added chorales to Suites 1, 3, and 5 in the mould of sounds from John Cage\u2019s work One 8<\/em>, chorales that in my opinion are definitely consistent with messages conveyed in the suites. I find that John Cage\u2019s music shares similarities with Bach\u2019s. His music allows for inner reflection, providing a contemplative point of calm. Cage said the purpose of music is \u201cto cleanse the soul and bring it peace, thus making it amenable to divine influences\u201d. My son Immanuel intones the chorales to this special music; each chorale is followed by two Bach suites.<\/p>\n

Julius Berger<\/p>\n<\/div>\n

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Tracklist<\/h2>\n<\/div>\n
\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Track<\/td>\nIndividual Titel<\/td>\nDuration<\/td>\n<\/tr>\n
<\/td>\nCD 1<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nExcerpt from “One 8” for Violoncello solo (1991)\/Choral “Vom Himmel hoch, da komm ich her” (Martin Luther, 1535)<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nChoral “Vom Himmel hoch, da komm ich her”*<\/td>\n2:40<\/td>\n<\/tr>\n
<\/td>\nSuite No. 1 G major BWV 1007 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPr\u00e9lude<\/td>\n2:40<\/td>\n<\/tr>\n
3<\/td>\nAllemande<\/td>\n4:48<\/td>\n<\/tr>\n
4<\/td>\nCourante<\/td>\n2:41<\/td>\n<\/tr>\n
5<\/td>\nSarabande<\/td>\n3:48<\/td>\n<\/tr>\n
6<\/td>\nMenuet I and II<\/td>\n3:34<\/td>\n<\/tr>\n
7<\/td>\nGigue<\/td>\n1:54<\/td>\n<\/tr>\n
<\/td>\nSuite No. 2 D minor BWV 1008 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPr\u00e9lude<\/td>\n4:32<\/td>\n<\/tr>\n
9<\/td>\nAllemande<\/td>\n4:33<\/td>\n<\/tr>\n
10<\/td>\nCourante<\/td>\n1:58<\/td>\n<\/tr>\n
11<\/td>\nSarabande<\/td>\n5:15<\/td>\n<\/tr>\n
12<\/td>\nMenuet I and II<\/td>\n3:37<\/td>\n<\/tr>\n
13<\/td>\nGigue<\/td>\n2:29<\/td>\n<\/tr>\n
<\/td>\nTotal Time CD 1<\/td>\n44:39<\/td>\n<\/tr>\n
<\/td>\nCD 2<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nExcerpt from “One 8” for Violoncello solo (1991)\/Choral “Gelobt sei Gott im h\u00f6chsten Thron”\u00a0 (Melchior Vulpius, Melodie (1609), Michael Wei\u00dfe, Text (1531))<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nChoral “Gelobt sei Gott im h\u00f6chsten Thron”*<\/td>\n1:48<\/td>\n<\/tr>\n
<\/td>\nSuite No. 3 C major BWV 1009 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPr\u00e9lude<\/td>\n4:31<\/td>\n<\/tr>\n
3<\/td>\nAllemande<\/td>\n4:47<\/td>\n<\/tr>\n
4<\/td>\nCourante<\/td>\n3:47<\/td>\n<\/tr>\n
5<\/td>\nSarabande<\/td>\n4:56<\/td>\n<\/tr>\n
6<\/td>\nBourr\u00e9e I and II<\/td>\n4:58<\/td>\n<\/tr>\n
7<\/td>\nGigue<\/td>\n3:13<\/td>\n<\/tr>\n
<\/td>\nSuite No. 4 E flat major BWV 1010 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPr\u00e9lude<\/td>\n5:57<\/td>\n<\/tr>\n
9<\/td>\nAllemande<\/td>\n5:57<\/td>\n<\/tr>\n
10<\/td>\nCourante<\/td>\n3:56<\/td>\n<\/tr>\n
11<\/td>\nSarabande<\/td>\n4:41<\/td>\n<\/tr>\n
12<\/td>\nBourr\u00e9e I and II<\/td>\n5:55<\/td>\n<\/tr>\n
13<\/td>\nGigue<\/td>\n3:02<\/td>\n<\/tr>\n
<\/td>\nTotal Time CD 2<\/td>\n57:42<\/td>\n<\/tr>\n
<\/td>\nCD 3<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nExcerpt from “One 8” for Violoncello solo (1991)\/Choral “O Haupt voll Blut und Wunden” (Johann Cr\u00fcger (1598-1662), Melodie, Paul Gerhardt (1607 – 1676), Text)<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nChoral “O Haupt voll Blut und Wunden”*<\/td>\n4:21<\/td>\n<\/tr>\n
<\/td>\nSuite No. 5 C minor BWV 1011 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nPr\u00e9lude<\/td>\n6:13<\/td>\n<\/tr>\n
3<\/td>\nAllemande<\/td>\n5:23<\/td>\n<\/tr>\n
4<\/td>\nCourante<\/td>\n2:29<\/td>\n<\/tr>\n
5<\/td>\nSarabande<\/td>\n4:43<\/td>\n<\/tr>\n
6<\/td>\nGavotte I and II<\/td>\n5:40<\/td>\n<\/tr>\n
7<\/td>\nGigue<\/td>\n2:46<\/td>\n<\/tr>\n
<\/td>\nSuite No. 6 D major BWV 1012 for Violoncello solo<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nPr\u00e9lude<\/td>\n5:29<\/td>\n<\/tr>\n
9<\/td>\nAllemande<\/td>\n7:31<\/td>\n<\/tr>\n
10<\/td>\nCourante<\/td>\n3:47<\/td>\n<\/tr>\n
11<\/td>\nSarabande<\/td>\n4:47<\/td>\n<\/tr>\n
12<\/td>\nGavotte I and II<\/td>\n5:18<\/td>\n<\/tr>\n
13<\/td>\nGigue<\/td>\n4:35<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTotal Time CD 3<\/td>\n63:14<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Artists: Julius Berger Title: Bach – Cage\/Chor\u00e4le (3CDs) Catalogue No.: SM270 Release: 15.09.2017 Supersonic Award 2017 Description Johann Sebastian Bach\u2019s suites for cello solo are arguably the purest form of music, works that require no explanation or background knowledge. Johann Sebastian Bach made one of his most profound affirmations, a Gradus ad Parnassum, which in […]<\/p>\n","protected":false},"author":1,"featured_media":662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[14,11],"tags":[],"class_list":["post-660","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-berger","category-solo-musica","post_format-post-format-image"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nJulius Berger: Bach - Cage\/Chor\u00e4le (3 CDs & 3 LPs) - Deutsch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/solo-musica.de\/en\/berger-bach-cage\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Julius Berger: Bach - 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