{"id":488,"date":"2017-02-24T23:51:33","date_gmt":"2017-02-24T22:51:33","guid":{"rendered":"https:\/\/solo-musica.de\/?p=488"},"modified":"2017-02-24T23:51:33","modified_gmt":"2017-02-24T22:51:33","slug":"philip-a-draganov-the-violin-battle","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/philip-a-draganov-the-violin-battle\/","title":{"rendered":"Philip A. Draganov – The Violin Battle"},"content":{"rendered":"
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Artists: Philip A. Draganov<\/a><\/h2>\n<\/div>\n
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Title: The Violin Battle<\/h2>\n<\/div>\n
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Catalogue No.: SM 267<\/h2>\n<\/div>\n
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Release: 24.02.2017<\/h2>\n<\/div>\n<\/div>\n
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Description<\/h2>\n<\/div>\n
The advantages of old master violins against modern violins – or vice versa – is one of the most discussed issues in the world of string instruments. A year can barely pass without a new scientific study, in which they claim to be able to definitely prove which one is better. For the most part, these supposed sensations reveal only one dimensional thinking, which can hardly ever be appropriate when defining a such complex phenomenon as a string instrument. The situation is absurd and confusing, because nothing is more vague than the price to sound ratio with stringed instruments. The more expensive an instrument is, the more irrational the opinion. The motto is: Close your eyes and listen carefully, because blind tests can sometimes lead to quite amazing, almost unmasking results.
\nHamburg born violinist and conductor, Philip A. Draganov, has enthralled audiences in Europe, Asia and the USA with his \u201eimpulsive virtuosity… and exuberant musical power\u201d (Hamburger Abendblatt). He had his debut as soloist at the age of only twelve with the Hamburg Symphony Orchestra in the Laeiszhalle in Hamburg and has since enjoyed a multifaceted international career.In addition to solo performances, recitals and chamber music concerts, Draganov is regularly invited\u00a0by major orchestras to perform as concertmaster or section leader. He has worked with conductors such as G\u00fcnter Wand, Herbert Blomstedt, Bernard Haitink, Christoph von Dohn\u00e1ny, Michael Tilson Thomas, Christoph Eschenbach, Alan Gilbert, Sir Roger Norrington and Kent Nagano with various orchestras such as the NDR Symphony Orchestra\/Hamburg or the Zurich Chamber Orchestra.
\nDraganov plays a violin made by the Italian violin maker Tomaso Balestrieri from 1769 and a violin from the German luthier Peter Greiner.<\/div>\n<\/div>\n
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Tracklist<\/h2>\n<\/div>\n
\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nPartita No. 2 in D-Minor, BWV 1004<\/strong><\/td>\n<\/td>\nJohann Sebastian Bach<\/strong><\/td>\n<\/tr>\n
1<\/td>\nAllemanda<\/td>\n5:34<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
2<\/td>\nCorrente<\/td>\n2:43<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
3<\/td>\nSarabanda<\/td>\n4:34<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
4<\/td>\nGiga<\/td>\n4:18<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
5<\/td>\nCiaccona<\/td>\n13:58<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
<\/td>\nViolin Sonata No. 3 “Ballade”\u00a0<\/strong><\/td>\n<\/td>\nEug\u00e8ne Ysa\u00ffe<\/strong><\/td>\n<\/tr>\n
6<\/td>\nViolin Sonata No. 3 “Ballade”<\/td>\n7:31<\/td>\nEug\u00e8ne Ysa\u00ffe<\/td>\n<\/tr>\n
<\/td>\nSonata No. 3 in C-Major, BWV 1005<\/strong><\/td>\n<\/td>\nJohann Sebastian Bach<\/strong><\/td>\n<\/tr>\n
7<\/td>\nAdagio<\/td>\n4:38<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
8<\/td>\nFuga<\/td>\n10:23<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
9<\/td>\nLargo<\/td>\n3:47<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
10<\/td>\nAllegro assai<\/td>\n5:05<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Artists: Philip A. Draganov Title: The Violin Battle Catalogue No.: SM 267 Release: 24.02.2017 Description The advantages of old master violins against modern violins – or vice versa – is one of the most discussed issues in the world of string instruments. A year can barely pass without a new scientific study, in which they […]<\/p>\n","protected":false},"author":1,"featured_media":496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-488","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-solo-musica","post_format-post-format-image"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nPhilip A. 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