{"id":2406,"date":"2006-12-08T11:34:55","date_gmt":"2006-12-08T10:34:55","guid":{"rendered":"https:\/\/solo-musica.de\/?p=2406"},"modified":"2006-12-08T11:34:55","modified_gmt":"2006-12-08T10:34:55","slug":"casal-quartett-tango-sensations","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/casal-quartett-tango-sensations\/","title":{"rendered":"Casal Quartett &#8211; Tango Sensations"},"content":{"rendered":"<div id=\"showcd_data\">\n<div class=\"cd_item\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2407 alignleft\" src=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2018\/03\/SM106.jpg\" alt=\"\" width=\"250\" height=\"218\" \/><\/h2>\n<h2>Artists: <a href=\"https:\/\/solo-musica.de\/en\/casal-quartett\/\">Casal Quartett<\/a><\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Title: Tango Sensations<\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Catalogue No.: SM 106<\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Release: 08.12.2006<\/h2>\n<\/div>\n<\/div>\n<div id=\"showcd_cover\">\n<div><\/div>\n<div><\/div>\n<div class=\"buy\"><a href=\"https:\/\/www.amazon.de\/Tango-Sensations-Casal-Quartett\/dp\/B000KQGOFY\/ref=sr_1_1?s=music&amp;ie=UTF8&amp;qid=1521196451&amp;sr=1-1&amp;keywords=Casal+Quartett+-+Tango+Sensations\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2537 size-full\" src=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2018\/03\/buy_eng.jpg\" alt=\"\" width=\"270\" height=\"50\" \/><\/a><\/div>\n<\/div>\n<div id=\"showcd_description\">\n<div class=\"dotted_bottom\">\n<div style=\"clear: both;\">\n<h2>Description<\/h2>\n<\/div>\n<div>Due to economic rather than artistic reasons, the modern concert-business opens its doors more and more to socalled crossover-projects. This display of music`s universal coherence sometimes looks rather forced or superficial. Some love the idea and tend to go to concerts more often, whereas purists stay at home.<\/p>\n<p>Few genres in music tend to be as traditional and conservative as the string quartet. Its repertoire is vast and features music of all styles since the 17th century. The core-repertoire from Haydn, Beethoven through to Bart\u00f3k and Schostakowitsch dominates the stage. Unfortunately we still meet producers who stubbornly reject an expansion of the repertoire and refuse contemporary music or even a new idea of how to play a Haydn quartet today. We believe that the versatility of stringquartet music will save the genre from a premature fate. One lifetime is too short to play everything that has been written for quartet. So if we play, it should be the music that appeals to us most, if it be a fourvoice invention of the renaissance, late Beethoven, Erwin Schulhoff or Astor Piazzolla. Those who look at Piazzolla`s life and compositions closely without just listening to his \u00bbhits\u00ab, will be amazed what a rollercoaster ride he went through. He grew up with jazz; the traditional tango fed him for a long time. With Alberto Ginastera he conquered classical and new music and left Argentinia and finally, the composer Nadja Boulanger led him to his destiny to give the tango a new definition.<\/p>\n<p>As with any good music, the result had to go through a time of evolvement that certainly has not come to an end yet. Encounters with the Argentinian musicians Giora Feidman (clarinet) and Michael Zisman (bandoneon) have helped us to understand tango as a \u00bbforeign\u00ab culture much better. We hope that every listener will feel this inspiration on this CD. Michael Zisman recorded with us those \u00bbTango Sensations\u00ab, that seemed specially important to Piazzolla. They sound different from what we normaly expect from him. They are intimate, vulnerable, uniquely his, painful, sometimes angry. They are always the work of a great composer who honestly shows what he feels.<\/p><\/div>\n<\/div>\n<div>\n<div class=\"dotted_bottom\">\n<h2>Tracklist<\/h2>\n<\/div>\n<div>01\u00a0 Butcher&#8217;s Death &#8211; Astor Piazzolla<br \/>\n02\u00a0 C est I`Amour &#8211; Astor Piazzolla<br \/>\n03\u00a0 Michelangelo &#8211; Astor Piazzolla<br \/>\n04\u00a0 Milonga del Angel &#8211; Astor Piazzolla<br \/>\n05\u00a0 Fuga &#8211; Astor Piazzolla<br \/>\n06\u00a0 La Ultima Grela &#8211; Astor Piazzolla<br \/>\n07\u00a0 Oblivion &#8211; Astor Piazzolla<br \/>\n08\u00a0 Escualo &#8211; Astor Piazzolla<br \/>\n09\u00a0 Lo que vendra &#8211; Astor Piazzolla<br \/>\n10\u00a0 La Casita de mis Viejos &#8211; Astor Piazzolla<br \/>\n11\u00a0 Loca Bohemia &#8211; Astor Piazzolla<br \/>\n12\u00a0 Asleep &#8211; Astor Piazzolla<br \/>\n13\u00a0 Loving &#8211; Astor Piazzolla<br \/>\n14\u00a0 Anxiety &#8211; Astor Piazzolla<br \/>\n15\u00a0 Despertar &#8211; Astor Piazzolla<br \/>\n16\u00a0 Fear &#8211; Astor Piazzolla<br \/>\n17\u00a0 Chiliquin de Bachin\/Ballada para un Loco &#8211; Astor Piazzolla<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artists: Casal Quartett Title: Tango Sensations Catalogue No.: SM 106 Release: 08.12.2006 Description Due to economic rather than artistic reasons, the modern concert-business opens its doors more and more to socalled crossover-projects. This display of music`s universal coherence sometimes looks rather forced or superficial. Some love the idea and tend to go to concerts more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,11],"tags":[],"class_list":["post-2406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-casal","category-solo-musica"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Casal Quartett - Tango Sensations - Deutsch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/solo-musica.de\/casal-quartett-tango-sensations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Casal Quartett - Tango Sensations - Deutsch\" \/>\n<meta property=\"og:url\" content=\"https:\/\/solo-musica.de\/casal-quartett-tango-sensations\/\" \/>\n<meta property=\"og:site_name\" content=\"Deutsch\" \/>\n<meta property=\"article:published_time\" content=\"2006-12-08T10:34:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2018\/03\/SM106-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"250\" \/>\n\t<meta property=\"og:image:height\" content=\"218\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Solo Musica\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Solo Musica\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/casal-quartett-tango-sensations\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/casal-quartett-tango-sensations\\\/\"},\"author\":{\"name\":\"Solo Musica\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/#\\\/schema\\\/person\\\/cd4b9a18e91239c483d3175e57608de2\"},\"headline\":\"Casal Quartett &#8211; 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