{"id":1927,"date":"2013-10-07T00:28:59","date_gmt":"2013-10-06T22:28:59","guid":{"rendered":"https:\/\/solo-musica.de\/?p=1927"},"modified":"2013-10-07T00:28:59","modified_gmt":"2013-10-06T22:28:59","slug":"miku-nishimoto-neubert-bach-brahms","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/miku-nishimoto-neubert-bach-brahms\/","title":{"rendered":"Miku Nishimoto-Neubert &#8211; Bach\/Brahms"},"content":{"rendered":"<div id=\"showcd_data\">\n<div class=\"cd_item\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1928 alignleft\" src=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2017\/12\/SM195.jpg\" alt=\"\" width=\"250\" height=\"224\" \/>Artists: <a href=\"https:\/\/solo-musica.de\/en\/miku-nishimoto-neubert\/\">Miku Nishimoto-Neubert<\/a><\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Title: Bach &#8211; Brahms<\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Catalogue No.: SM 195<\/h2>\n<\/div>\n<div class=\"cd_item\">\n<h2>Release: 07.10.2013<\/h2>\n<\/div>\n<\/div>\n<div id=\"showcd_cover\">\n<div><\/div>\n<div><\/div>\n<div class=\"buy\"><a href=\"http:\/\/www.amazon.de\/Partitia-Chromatische-Fant-Klavierst%C3%BCcke-Nishimoto-Neubert\/dp\/B00F0W9BOE\/ref=sr_1_4?ie=UTF8&amp;qid=1381151195&amp;sr=8-4&amp;keywords=Nishimoto+Neubert\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2537 size-full\" src=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2018\/03\/buy_eng.jpg\" alt=\"\" width=\"270\" height=\"50\" \/><\/a><\/div>\n<\/div>\n<div id=\"showcd_description\">\n<div class=\"dotted_bottom\">\n<div style=\"clear: both;\">\n<h2>Description<\/h2>\n<\/div>\n<div>J. S. Bach\u2019s creative potential as a composer was so all-embracing that there is hardly a single musical genre to which he did not repeatedly return. The great instrumental cycles and the monumental choral works are those most closely associated with his illustrious name. One of these cycles, the Six Partitas for Clavier solo, was designated as his opus 1. Bach wrote it at the age of 46 and had it published himself. One suspects he must have taken special care in selecting a work for the accolade of \u201copus 1\u201d, especially since his catalogue of works to that date already contained many of his unique masterpieces.<br \/>\nJohannes Brahms\u2019 piano works can be divided into two periods: The early, largescale piano works alternate between symphonic and song-like conception. Their suitability for the concert hall lies in the highly virtuosic writing, for instance in the Paganini Variations. Then there are the late works, the summation of an individual journey, the unifying of personal will with spiritual potential.<\/p>\n<p>Miku Nishimoto-Neubert has performed widely in Europe, Japan and North America as soloist, chamber-musician and as accompanist, concentrating on the music of Bach, German Romantic composers and the modern classics. There she finds the figurative and formal clarity, which, besides the sensitive qualities of touch, characterise the playing of Miku Nishimoto-Neubert. A critic writing about her recent CD of works by Bach spoke of \u201ca capricious sophistication of the spirit\u201d and \u201ca meditative introspection\u201d. Notwithstanding all her technical proficiency, it is the intensity with which she seeks the inner spirit of the music which marks the uniqueness of her interpretations and makes them memorable experiences.<\/p><\/div>\n<\/div>\n<div>\n<div class=\"dotted_bottom\">\n<h2>Tracklist<\/h2>\n<\/div>\n<div><strong>Johann Sebastian Bach<\/strong><\/p>\n<p>Partita c-Moll BWV 826<\/p>\n<p>Chromatische Fantasie und Fuge d-Moll BWV 903<\/p>\n<p><strong>Johannes Brahms<\/strong><\/p>\n<p>Klavierst\u00fccke op. 118<\/p>\n<p>Klavierst\u00fccke op. 119<\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artists: Miku Nishimoto-Neubert Title: Bach &#8211; Brahms Catalogue No.: SM 195 Release: 07.10.2013 Description J. S. Bach\u2019s creative potential as a composer was so all-embracing that there is hardly a single musical genre to which he did not repeatedly return. The great instrumental cycles and the monumental choral works are those most closely associated with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1928,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-solo-musica"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miku Nishimoto-Neubert - Bach\/Brahms - Deutsch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/solo-musica.de\/miku-nishimoto-neubert-bach-brahms\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miku Nishimoto-Neubert - Bach\/Brahms - Deutsch\" \/>\n<meta property=\"og:url\" content=\"https:\/\/solo-musica.de\/miku-nishimoto-neubert-bach-brahms\/\" \/>\n<meta property=\"og:site_name\" content=\"Deutsch\" \/>\n<meta property=\"article:published_time\" content=\"2013-10-06T22:28:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2017\/12\/SM195-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"250\" \/>\n\t<meta property=\"og:image:height\" content=\"224\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Solo Musica\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Solo Musica\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/miku-nishimoto-neubert-bach-brahms\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/miku-nishimoto-neubert-bach-brahms\\\/\"},\"author\":{\"name\":\"Solo Musica\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/#\\\/schema\\\/person\\\/cd4b9a18e91239c483d3175e57608de2\"},\"headline\":\"Miku Nishimoto-Neubert &#8211; 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