{"id":1239,"date":"2016-07-22T19:55:26","date_gmt":"2016-07-22T17:55:26","guid":{"rendered":"https:\/\/solo-musica.de\/?p=1239"},"modified":"2016-07-22T19:55:26","modified_gmt":"2016-07-22T17:55:26","slug":"die-entfuehrung-aus-dem-serail","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/die-entfuehrung-aus-dem-serail\/","title":{"rendered":"La Scintilla dei Fiati – Die Entf\u00fchrung aus dem Serail"},"content":{"rendered":"
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\"\"Artists: La Scintilla dei Fiati<\/a><\/h2>\n<\/div>\n
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Title: Die Entf\u00fchrung aus dem Serail, Bearbeitung f\u00fcr Harmoniemusik<\/h2>\n<\/div>\n
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Catalogue No.: SM 244<\/h2>\n<\/div>\n
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Release: 22.07.2016<\/h2>\n<\/div>\n<\/div>\n
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\"\"<\/a><\/div>\n<\/div>\n
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Description<\/h2>\n<\/div>\n
A letter from Mozart to his father in July 1782, four days after the successful first performance of Die Entf<\/em>\u00fc<\/em>hrung aus dem Serail<\/em>, attests to Mozart’s serious attempts to share in the lucrative yet highly-competitive market for Harmoniemusik arrangements. A furore was caused in 1977 by the discovery of a corresponding Harmoniemusik in the collections of the Schwarzenberg Chapel in Bohemia’s \u010cesk\u00fd Krumlov, which in fact turned out to be the work of Johann Went, a former Schwarzenberg court musician, at that time second oboist of the Kaiserlichen Harmonie. In all probability, Went was that rival so feared by Mozart. However, the most exciting – and in some respects still puzzling – discovery in this connection so far fell ultimately to the conductor and researcher of Harmoniemusik, Bastiaan Blomhert. In 1984 he came across an unusually interesting and superior arrangement in the Princely F\u00fcrstenberg Archive in Donaueschingen. An inventory dated 1827 attributes the surviving set of handwritten parts of the Harmoniemusik to the Donaueschingen oboist and arranger Franz Joseph Rosinack. However, doubts that this version of the Entf<\/em>\u00fc<\/em>hrung<\/em>could really have been penned by a musician of somewhat parochial proficiency were soon justified. Two further versions of Mozart operas ascribed to Rosinack – The Marriage of Figaro<\/em>and The Magic Flute<\/em>– written by the same copyists on paper unusual for Donaueschingen, proved in the case of Figaro<\/em>to be the work of Johann Went, and in the case of The<\/em>Magic Flute<\/em>that of the no less well-known arranger, Joseph Heydenreich. Blomhert’s exhaustive comparison with the working methods of other important arrangers of the time did not reveal any compelling correlations, and his hunch – that the Donaueschingen Harmoniemusik of the Entf\u00fchrung<\/em>aus dem Serail<\/em>was probably a transcript of the lost Mozart arrangement – has since achieved broad consensus amongst researchers.
\nThe wind ensemble “La Scintilla dei Fiati” is composed of members of the “Orchestra La Scintilla” at the Zurich Opera.<\/div>\n<\/div>\n
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Tracklist<\/h2>\n<\/div>\n
\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nOuvert\u00fcre<\/td>\n3:48<\/td>\n<\/tr>\n
2<\/td>\nNr.1: “Hier soll ich dich denn sehen”<\/td>\n2:00<\/td>\n<\/tr>\n
3<\/td>\nNr.2: “Solche hergelauf\u2019ne Laffen”<\/td>\n3:43<\/td>\n<\/tr>\n
4<\/td>\nNr.3: “O wie \u00e4ngstlich”<\/td>\n2:43<\/td>\n<\/tr>\n
5<\/td>\nNr.4: “Doch wie schnell schwand meine Freude”<\/td>\n3:19<\/td>\n<\/tr>\n
6<\/td>\nNr.5: “Durch Z\u00e4rtlichkeit und Schmeicheln”<\/td>\n2:45<\/td>\n<\/tr>\n
7<\/td>\nNr.6: “Ich gehe, doch rate ich dir”<\/td>\n2:40<\/td>\n<\/tr>\n
8<\/td>\nNr.7: “Martern aller Arten”<\/td>\n8:44<\/td>\n<\/tr>\n
9<\/td>\nNr.8: “Welche Wonne, welche Lust”<\/td>\n2:21<\/td>\n<\/tr>\n
10<\/td>\nNr.9: “Frisch zum Kampfe!”<\/td>\n2:43<\/td>\n<\/tr>\n
11<\/td>\nNr.10: “Vivat Bacchus! Bacchus lebe!”<\/td>\n1:54<\/td>\n<\/tr>\n
12<\/td>\nNr.11: “Wenn der Freude Tr\u00e4nen flie\u00dfen”<\/td>\n3:38<\/td>\n<\/tr>\n
13<\/td>\nNr.12: “Ach Belmonte!”<\/td>\n2:41<\/td>\n<\/tr>\n
14<\/td>\nNr.13: “Ich baue ganz auf Deine St\u00e4rke”<\/td>\n4:44<\/td>\n<\/tr>\n
15<\/td>\nNr.14: “O, wie will ich triumphieren”<\/td>\n2:53<\/td>\n<\/tr>\n
16<\/td>\nNr 15: “Welch ein Geschick! o Qual der Seele!”<\/td>\n7:02<\/td>\n<\/tr>\n
17<\/td>\nNr.16: Finale<\/td>\n1:57<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Artists: La Scintilla dei Fiati Title: Die Entf\u00fchrung aus dem Serail, Bearbeitung f\u00fcr Harmoniemusik Catalogue No.: SM 244 Release: 22.07.2016 Description A letter from Mozart to his father in July 1782, four days after the successful first performance of Die Entf\u00fchrung aus dem Serail, attests to Mozart’s serious attempts to share in the lucrative yet […]<\/p>\n","protected":false},"author":1,"featured_media":1242,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[20,11],"tags":[],"class_list":["post-1239","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-recording","category-solo-musica","post_format-post-format-image"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nLa Scintilla dei Fiati - 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