Christiane Oelze\u00b4s wonderful soprano voice and sophisticated technique guarantees her success with both audience and critics in roles as different as the Countess in Mozart\u2019s Le Nozze di Figaro and M\u00e9lisande from Debussy\u2019s Pell\u00e9as et M\u00e9lisande. She has appeared at some of the most prestigious opera temples including Bavarian State Opera Munich, Royal Opera House Covent Garden London, Glyndebourne Festival, Hamburg State Opera, Salzburg Festival and Op\u00e9ra National de Paris.
\nIn concert Christiane Oelze performs in the important concert halls and festivals worldwide with today\u00b4s most imminent conductors including Claudio Abbado, Pierre Boulez, Herbert Blomstedt, Riccardo Chailly, Christoph von Dohn\u00e1nyi, Sir John Eliot Gardiner, Michael Gielen, Carlo Maria Giulini, Nikolaus Harnoncourt, Christopher Hogwood, Marek Janowski, Fabio Luisi, Sir Neville Marriner, Kurt Masur, Kent Nagano und Sir Simon Rattle.<\/p>\n
2010 Christiane Oelze has performed Strauss\u00b4 \u201eVier letzte Lieder\u201c (Israel Philharmonic\/Christoph von Dohn\u00e1nyi), Tippetts \u201eChild of our Time\u201c (SWR Sinfonieorchester\/Sir Roger Norrington), Strauss orchestral songs (tour with S\u00e4chsische Staatskapelle Dresden\/Neeme J\u00e4rvi), Gustav Mahlers Fourth
\nSymphony at Festival St. Denis (Orchestre National de France\/Daniele Gatti) and at Schleswig Holstein Musikfestival, Budapest and Grafenegg (NDR Sinfonieorchester\/ Christoph Eschenbach), Gustav Mahlers Second Symphony in Cologne (G\u00fcrzenich-Orchester\/Markus Stenz) and Brahms Requiem in Paris (Orchestre National de France\/Hartmut Haenchen).<\/p>\n
2011\u00a0 concerts with Dresdner Philharmonie and Rafael Fr\u00fchbeck de Burgos (\u201eBrahms-Requiem\u201c), Bamberger Symphoniker and Christoph Eschenbach (Beethoven \u201eMissa Solemnis\u201c), Residentie Orkest Den Haag and Jun M\u00e4rkl (\u201eMahler 4\u201c), Orchestre philharmonique de Radio France and Pablo Heras-Casado (Berg \u201eAltenberglieder\u201c), D\u00fcsseldorfer Symphoniker and Andrey Boreyko (Mahler \u201eWunderhorn\u201c), G\u00fcrzenich-Orchester K\u00f6ln and Markus Stenz (\u201eMahler 8\u201d),
\nGewandhausorchester Leipzig and Riccardo Chailly (\u201eBeethoven 9\u201c in Wien, Paris and London), and a South-America orchestra tour accompanied by M\u00fcnchner Kammerorchester.<\/p>\n
Her discography reflects both her wide opera and concert repertoire, with particular emphasis on Mozart and 20th century music (including cantatas by Anton Webern under Pierre Boulez for Deutsche Grammophon). Her latest recital CD, featuring \u2018Forbidden Songs\u2019 by German composers in exile (Ullmann, Korngold, Eisler and Weill), has received great critical acclaim. Recent recordings include Gurlitt\u2019s \u201eVier dramatische Ges\u00e4nge\u201c with the Berlin Radio Symphony as well as Ernest
\nBloch\u2019s 2 psalms with the Deutsche Symphony Orchestra Berlin under Steven Sloane, released by Phoenix.<\/p>\n
Born in Cologne, Christiane Oelze studied with Klesie Kelly-Moog at the Cologne College of Music, with Erna Westenberger in Frankfurt, and with Elisabeth Schwarzkopf in private masterclasses.<\/p>\n
From 2003 until 2008 Christiane Oelze taught at the Robert-Schumann-Hochschule in D\u00fcsseldorf, Germany.<\/p>\n
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