{"id":1043,"date":"2017-11-10T11:36:22","date_gmt":"2017-11-10T10:36:22","guid":{"rendered":"https:\/\/solo-musica.de\/?p=1043"},"modified":"2017-11-10T11:36:22","modified_gmt":"2017-11-10T10:36:22","slug":"marlis-petersen","status":"publish","type":"post","link":"https:\/\/solo-musica.de\/en\/marlis-petersen\/","title":{"rendered":"Marlis Petersen"},"content":{"rendered":"
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\"\"The main focus of Marlis Petersen\u2019s repertoire is the field of classical coloratura, however she has also made a name for herself as an interpreter of contemporary music. After studying at the Music Academy Stuttgart and with Sylvia Geszty, she supplemented her training in the specialized areas of opera, new music and dance. She started her career as a member of the ensemble at St\u00e4dtische B\u00fchnen Nuremberg, where she sang roles such as \u00c4nnchen, Blonde, Adele, Rosina, Lulu and Queen of the night. From 1998 to 2003 she was engaged at Deutsche Oper am Rhein Dusseldorf.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Marlis Petersen gave her debut at the Vienna State Opera with Lulu. This central role of her repertoire she also sang in Peter Konwitschny\u2019s much admired staging in Hamburg, at the Chicago Lyric Opera und in a new production in Athens. In the meantime she is a regular guest at the most important opera houses worldwide, e.g. Op\u00e9ra de Paris, Th\u00e9\u00e2tre de la Monnaie Brussels, state operas of Berlin, Hamburg, Munich and Vienna, Theater an der Wien, Metropolitan Opera New York, Los Angeles Opera, Chicago Lyric Opera and at the Festivals of Salzburg and Aix-en-Provence.<\/p>\n

Important roles of her repertoire are e.g. Lulu, Violetta (Traviata<\/em>), Susanna (Le Nozze di<\/em> Figaro<\/em>), Pamina (Die Zauberfl\u00f6te<\/em>), Adele and Rosalinde (Fledermaus<\/em>), Marguerite (Les Huguenots<\/em>), Manon, Thais and Elettra (Idomeneo<\/em>).
\nRecently, she had a sensational success in a new Lulu production at Bavarian State Opera, which she repeated at the Metropolitan Opera New York as an extraordinary farewell from this role. Outstanding attention was also paid to her Traviata in the Peter Konwitschny production in Graz and Vienna.<\/p>\n

Marlis Petersen participated in important world premieres such as Werner Henze\u2019s Phaedra<\/em> in Berlin and Brussels, Manfred Trojahn\u2019s La grande magia<\/em> at Semperoper Dresden and Aribert Reimann\u2019s Medea <\/em>at the Vienna State Opera.<\/p>\n

In the concert field, the soprano has already worked with the greatest conductors worldwide such as Christoph Eschenbach, Daniel Harding, Thomas Hengelbrock, Louis Langr\u00e9e, Lorin Maazel, Zubin Mehta, Ingo Metzmacher, Antonio Pappano, Kirill Petrenko, Sir Simon Rattle and Jeffrey and collaborated also with several specialists in the historical performance practice as Ren\u00e9 Jacobs, Nikolaus Harnoncourt, Ton Koopman, Trevor Pinnock and Helmuth Rilling.<\/p>\n

Marlis Petersen has worked with leading orchestras such as Wiener and Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, Concertgebouw Orkest, Boston Symphony Orchestra, Mahler Chamber Orchestra and Konzerthaus Orchester Berlin, Wiener Symphoniker, RAI Orchester Turin, the orchestra of the Accademia Nazionale di Santa Cecilia, Freiburger Barockorchester, Akademie f\u00fcr Alte Musik and Ensemble Modern Frankfurt.
\nIn January 2017 she had the honour to participate at the opening festival of the Elbphilharmonie in Hamburg with a world creation of J\u00f6rg Widmann under the baton of Kent Nagano. And later in 2017 she made a very successful debut as Marietta in \u201cDie Tote Stadt<\/em>\u201d in Warsaw.<\/p>\n

In 2013, Marlis Petersen received the very first Austrian Music Theatre Award for her interpretation of the three female main roles in Les Contes d\u2019Hoffmann<\/em> at Theater an der Wien,\u00a0 and by the magazine Opernwelt she was elected \u201cSinger of the year\u201d for the third time. During the season 2017\/2018 Marlis Petersen gave recitals in Dubai, at the Elbphilharmonie Hamburg, the Mozart Week Salzburg, the Mozart Festival W\u00fcrzburg, the Pierre Boulez Hall in Berlin and at the Schubertiade Schwarzenberg. Further highlights are concerts of Beethoven\u2019s \u201cLeonore\u201d in Brussels, Amsterdam, Athen, Baden-Baden, Cologne and Paris under the baton of Ren\u00e9 Jacobs and a tour with Beethoven\u2019s \u201cChristus am \u00d6lberg\u201d with the Concert Olympique and Jan Caeyers.<\/p>\n

For the 2019\/20 season, Marlis Petersen was awarded “Singer of the Year” for the fourth time by the magazine “opernwelt” for her interpretation of Marietta at the Bavarian State Opera and won the “Opus Klassik 2020”, also as Singer of the Year for the CD \u201cINNENWELT\u201d released by Solo Musica.<\/span><\/p>\n

Discography<\/h2>\n
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The main focus of Marlis Petersen\u2019s repertoire is the field of classical coloratura, however she has also made a name for herself as an interpreter of contemporary music. After studying at the Music Academy Stuttgart and with Sylvia Geszty, she supplemented her training in the specialized areas of opera, new music and dance. She started […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-1043","post","type-post","status-publish","format-standard","hentry","category-artist"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nMarlis Petersen - Deutsch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/solo-musica.de\/en\/marlis-petersen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marlis Petersen - Deutsch\" \/>\n<meta property=\"og:url\" content=\"https:\/\/solo-musica.de\/en\/marlis-petersen\/\" \/>\n<meta property=\"og:site_name\" content=\"Deutsch\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-10T10:36:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/solo-musica.de\/wp-content\/uploads\/2017\/11\/Petersen-213x300.jpg\" \/>\n<meta name=\"author\" content=\"Solo Musica\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Solo Musica\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/\"},\"author\":{\"name\":\"Solo Musica\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/#\\\/schema\\\/person\\\/cd4b9a18e91239c483d3175e57608de2\"},\"headline\":\"Marlis Petersen\",\"datePublished\":\"2017-11-10T10:36:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/\"},\"wordCount\":1017,\"publisher\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/solo-musica.de\\\/wp-content\\\/uploads\\\/2017\\\/11\\\/Petersen-213x300.jpg\",\"articleSection\":[\"Artist\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/\",\"url\":\"https:\\\/\\\/solo-musica.de\\\/en\\\/marlis-petersen\\\/\",\"name\":\"Marlis Petersen - 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